Barbra Joan Streisand Album 1971

Streisand / Discography

Barbra Joan Streisand (1971)

Barbra Joan Streisand original album, LP cover. Scan by: Kevin Schlenker.

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Below: Gallery of album back cover and CD artwork .... Click arrows to navigate.

  • ABOUT THE ALBUM
    • Released August 1971
    • Produced by: Richard Perry
    • Album Design: Virginia Team
    • Photography: Ed Thrasher
    • Engineering: Sy Mitchell
    • Remix Engineers: Bill Schnee, Sy Mitchell
    • Recordists: Bill Schnee, George Beauregard, Willie “The Kid” Greer, John Fiore, Jack Andrews
    • “A very special thanks to Doug Sachs”
    • CD digitally remastered by Joe Gastwirt at Digital Magnetics Studio

  • CATALOG NUMBERS
    • KC 30792 (LP, 1971)
    • PC 30792 (LP, reissue)
    • CA 30792 (8-Track Tape)
    • CR 30792 (Reel-To-Reel Tape)
    • CQ 30792 (Quadraphonic LP, 1972)
    • CK 30792 (CD Remastered 1994)
  • CHARTS
    • Debut Chart Date: 9-18-71
    • No. Weeks on Billboard 200 Albums Chart: 26
    • Peak Chart Position: #11
    • Gold: 12/6/71

    Gold: 500,000 units shipped

    Platinum: 1 million units shipped


    The Billboard 200 is a ranking of the 200 highest-selling music albums in the United States, published weekly by Billboard magazine.


Tracks

  • Beautiful [2:15]

    Written by: Carole King


    Arranged by: Nick DeCaro


    Drums: Jim Gordon


    Bass: Joe Osborn


    Pianos: Larry Muhoberac & Lincoln Mayorga


    Guitar: Louie Shelton


    Date Recorded: April 21, 1971

  • Love [3:06]

    Written by: John Lennon


    Arranged by: Nick DeCaro


    Clarinet & Oboe Solos: Gene Cipriano


    Piano: Nick De Caro


    Drums: Hal Blaine


    Date Recorded: April 21, 1971

  • Where You Lead [2:58]

    Written by: C. King / T. Stern


    Arranged by: Fanny


    Drums: Alice de Buhr


    Bass: Jean Millington


    Piano: Nickey Barclay


    Guitar: June Millington


    Organ: Billy Preston


    Tabourine: Richard Perry


    Background Singers: Clydie King, Venetta Fields, Oma Drake and Fanny


    Date Recorded: April 21, 1971

  • I Never Meant To Hurt You [3:51]

    Written by: Laura Nyro


    Arranged & Conducted by: Dick Hazard


    Date(s) Recorded: September 26, 1970 and April 20, 1971

  • Medley: One Less Bell to Answer/A House Is Not a Home [6:33]

    Written by: Hal David / Burt Bacharach


    Arranged by: Kenny Welch


    Orchestrated by: Peter Matz


    Date Recorded: April 21, 1971

  • Space Captain [3:22]

    Written by: Mathew Moore


    Arranged by: Fanny


    Drums: Alice de Buhr


    Bass: Jean Millington


    Piano: Nickey Barclay


    Guitar: June Millington


    Organ: Billy Preston


    Horns: Jim Price and Bobby Keyes


    Percussion: Alice de Buhr and Richard Perry


    Background Singers: Clydie King, Venetta Fields, Oma Drake, Shirley Mathews



  • Since I Fell for You [3:27]

    Written by: Buddy Johnson


    Arranged & Conducted by: Gene Page


    Date Recorded: May 4, 1971

  • Mother [4:40]

    Written by: John Lennon


    Arranged by Gene Page and Richard Perry


    Organ: Billy Preston


    Drums: Jim Keltner


    Bass: Larry Knechtel


    Guitar: Mike Deasy


    Piano and Pipe Organ: Richard Perry


    Date Recorded: April 21, 1971

  • The Summer Knows (Theme from 'Summer of '42') [3:43]

    Written by: Michel Legrand / Alan & Marilyn Bergman


    Arranged & Conducted by: Dick Hazard


    Date Recorded: April 21, 1971

  • I Mean to Shine [2:55]

    Written by: Donald Fagen / Walter Becker


    Arranged by: Head


    Drums & Percussion: Alice de Buhr


    Acoustic Guitar: June Millington, Hugh McCracken


    Bass: John Osborn


    Guitar: Eric Weissberg


    Organ: Donald Fagen


    Piano: Mike Rubini


    Lead Guitar: John Uribe


    Horns: Bobby Keyes, Jim Price


    Strings Arranged by: Nick De Caro


    Date Recorded: September 26, 1970

  • You've Got a Friend [4:54]

    Written by: Carole King


    Arranged by: Head


    Drums: Alice de Buhr


    Acoustic Guitar: June Millington


    Electric Guitar: Mike Deasy


    Bass: Larry Knechteln


    Piano: Larry Muhoberac


    Strings Arranged by: Nick De Caro


    Brass Arranged by: Gene Page


    Date Recorded: May 4, 1971

About the Album

Columbia Records ad for the Barbra Joan Streisand Album.

Six months after Barbra’s first pop/rock album, Stoney End, Columbia Records released another mainstream album by Barbra titled Barbra Joan Streisand. Richard Perry produced again, and Barbra Joan Streisand combined standards with contemporary songs. 


A handful of arrangers contributed to the album, including Gene Page, known for his string-heavy arrangements.  Page arranged albums for Motown before working on most of Barry White’s records in the 1970s. He said Barbra “was really great to work with — cool, relaxed and with a wonderful sense of humor.”


Richard (Dick) Hazard was television composer, orchestrator, conductor and songwriter who wrote the charts for “I Never Meant To Hurt You” and “The Summer Knows.”  Years later, he would compose the music (with Ira Newborn) for Barbra’s film All Night Long.


The all-girl rock group Fanny  arranged and played on two songs: “Where You Lead” and “Space Captain.”  Richard Perry produced their debut album on Reprise Records in 1970.  One of the members, Jean Millington, recalled: “We were bad-ass, we just needed to learn how to record. Which we did as fast as we could and in short order, as Richard Perry basically taught us – and he was tremendously skilled, learning constantly, and was as voracious as we were. We were all into it. It was hard work, but fun. And, actually, he was an excellent teacher.”


The group, known for their tight harmonies (they all sang on their records), was comprised of sisters June Millington and Jean Millington on guitar and bass guitar; Nickey Barclay on keyboards; and Alice de Buhr on drums.


David Bowie was a huge fan of Fanny and spoke to Rolling Stone in 1999 about them. “They were extraordinary: They wrote everything, they played like motherfuckers, they were just colossal and wonderful, and nobody's ever mentioned them. They're as important as anybody else who's ever been, ever; it just wasn't their time.”


Richard Perry used them as studio musicians on Barbra’s Stoney End album, but for Barbra Joan Streisand he got them involved with arranging and playing for Barbra.


“We met at the [Whisky a Go Go],” June Millington remembered. “[Barbra] didn’t put on any airs. She came [to the studio], saying she was nervous because she'd never sung live with a band before, and I believed her. In fact, I sat across from her, knee-to-knee, and went over the vocal with her. If it were an act, it worked well, 'cause we were by then all ready to go and she nailed it from take one. (I think they took take 5 but it doesn't matter, she nailed it from the jump).”


Fanny told Cash Box Magazine that working on the Streisand album “was fun. She's quite young, both in age and in her head. And it was the first time she'd worked live with a rock group.”


Nick DeCaro, a musician, arranger, producer and songwriter, had a keen ear and arranged the first two songs on the album.


Kenny Welch and his wife Mitzie were a music composer/lyricist duo, who wrote, composed and arranged for Carol Burnette and others. Kenny created the arrangement of “One Less Bell To Answer / A House Is Not A Home” for Barbra when she appeared on Burt Bacharach’s television special in March 1971.

Streisand recording the Barbra Joan Streisand Album.  Photo by: Ed Thrasher

“Some of the West Coast’s finest established studio musicians (bassist Larry Knechtel, organist Billy Preston, singer Clydie King, Venetta Fields and Oma Drake) join some crack new female rock musicians (guitarist June Millington and percussionist Alice de Buhr) to give Barbra Joan Streisand her finest backing to date on such material as Carole King’s ‘You’ve Got a Friend,’ Michel LeGrand’s ‘Theme from Summer of ‘42’, and the Bacharach-David ‘One Less Bell to Answer.’ My favorite is the old Buddy Johnson standard, ‘Since I Fell For You.’ Barbra’s unpredictable touch for offbeat material is still sure, but she sounds more and more like a 5th Dimension female taking a solo.”

Bob Talbert, Detroit Free Press, September 12, 1971


Richard Perry and Barbra recorded songs for Barbra Joan Streisand quickly, in three sessions: April 20, April 21, and May 4, 1971 – all at Columbia Recording Studios in Hollywood, California.

Drummer Jim Keltner played those sessions and loved working with Barbra. “Back then, she was this major, major force, you know?” he stated. “Unbelievable voice. And that was in the days when the artist would record live with you. It was a tremendous thing, to hear a voice like that in your headphones.”

 “I Mean To Shine” was written by Donald Fagen and Walter Becker – they later became the group Steely Dan. Fagen recalled it was “the first song we ever had recorded. Not a good song, but at least she recorded it.” 

Kenny Vance, a singer and songwriter in the band Jay & the Americans, reminisced about Fagen and Becker. “In 1970, I got a call from record producer Richard Perry, a friend who was making an album with Barbra Streisand; he was looking for new material,” Vance wrote. “Richard placed one of their songs on the album. We met Barbra Streisand. In rehearsal, Donald played the piano and we taught her the song … On the recording, Donald played the organ. It was the first mainstream recording of a song written by Becker and Fagen.”

Streisand actually recorded “I Mean To Shine” during her Stoney End sessions in September 1970. It was used on Barbra Joan Streisand instead.

Songs from the Barbra Joan Streisand recording sessions which did not end up on the final album were “Think About Your Troubles” by Harry Nillson (from the animated fable, The Point!, which aired on ABC) and “We’ve Only Just Begun” by Roger Nichols and Paul Williams (which was later included on Just for the Record).

Barbra Joan Streisand was another contemporary music hit for Barbra – earning a Gold certification (500,000 sold) just four months after its release.
Streisand talks to Richard Perry in the recording studio.  Photo: Ed Thrasher

Singles ...

Columbia Records released the following singles from the album:




Quadraphonic Album

  • Quadraphonic Sound Supervision: Phil Macy
  • Quadraphonic Remix Engineer: Sy Mitchell
Quadraphonic recordings were embraced by audiophiles from about 1971 to 1978. A Quadraphonically encoded recording split the sound between four speakers – similar, but less effective than the 5-speaker “surround sound” available on DVD theater systems today. It was necessary to own a Quadraphonic (or “Quad”) stereo system to decode the recording (although standard 2-speaker stereo systems would still play the Quads—without 4-channel separation, though). Quadraphonic recordings were available on vinyl, 8-track tape, and reel-to-reel formats. 

The master tapes for Streisand's Quadraphonic albums were all remixed for the format. Therefore, if one were to compare a song from a Quad album to a song from a non-Quad album, the Quad version might differ considerably. Sometimes the Quad engineers used a completely different vocal take than what appeared on the standard LP.

There are six tracks on the Barbra Joan Streisand Quad album that have different remixes and sometimes alternate vocal takes: 

  • “Beautiful” sounds different due to its alternate mix on the Quad.
  • “Where You Lead” – an alternate take.
  • “Space Captain” – an alternate take with different tempo and vocals.
  • “Mother” has alternate vocals.
  • “I Mean To Shine” is an alternate take.
  • The ocean sounds in “The Summer Knows” have been removed.
Front and back covers of the Quadraphonic Barbra Joan Streisand album

Notes on the CD Artwork ...

When Columbia released Barbra Joan Streisand on CD, it lost one of the clever design elements originally created by Virginia Team for the 1971 LP. 

First, Columbia’s art department failed to use the same typeface that appeared on the LP. The typeface on the CD is completely different. 

Also, there was a nice symmetry on the original LP jacket that was lost on the CD. On the LP, the front cover pictured a “serious” Barbra (photo by Ed Thrasher) and spelled her name as she has spelled it since 1960 — “Barbra” without the extra ‘a.’ 

The back cover of the LP featured a photograph of Streisand smiling, child-like. The album’s title, though, was spelled “Barbara Joan Streisand” — with the extra "a". 

The smiling photo of Streisand appeared on the last page of the CD’s insert, without the alternate spelling of Barbra's name, though.

Album Cover & Poster ...

The photos which adorn the cover, back cover, and inside of the album were taken by the late Ed Thrasher. “His covers were the best of their kind, for he defined the West Coast style of big-idea art direction,” said Paula Scher, who designed albums for Columbia Records. 

Thrasher was not hired to photograph Streisand for the album cover. However, he was in the studio on assignment, shooting the all-girl group Fanny. But Streisand grew to trust Thrasher and posed for him. A week later she requested the contact sheets. Barbra and Virginia Team, in charge of Columbia’s art department in Los Angeles, worked together to choose the photos for the album.
The original gatefold LP included a 22” x 33” poster by Ed Thrasher
Below:  Click through some of the photographs of Barbra Streisand taken by Ed Thrasher while she was recording the album.

SOURCES USED FOR THIS PAGE:

End / Barbra Joan Streisand / NEXT ALBUM ....

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