Barbra told
Vanity Fair
magazine, “When I was in Detroit, I thought, ‘I don't know how I'm going to get through the next 15 shows.’ It's pretty exhausting physically. It's a lot of breathing; you have to be in pretty good shape. And I don't work out vocally. I don't practice. It’s the most boring thing you can imagine, doing scales. So I just said, ‘F-- it, I can’t.’ I'm too tired the next day after a concert.”
She also stated that her stage fright had dissipated by the time she performed the Detroit shows. “I don’t have to listen to the [meditation] tapes. I don’t feel I need the critics to like me or not. But I am not without fear. It’s just that my heart isn’t palpitating where I think I can’t make a sound. I’ve found that I can do a good show without being frightened to death.”
Barbra's opening remarks from Michigan:
“Why Detroit? ... it’s a kind of sentimental journey because Detroit was my first club date outside New York in 1961. Some of you were there? I remember all the friends that I made here and how nice everyone was to me ... and I remember my friends who used to come to every show and watch me and then take me into their homes and feed me. And I never forget people who feed me.”
Barbra was in great voice during the Detroit shows. The Concert was still a work in progress, though—Barbra cut the “I'm in the Mood For Love” medley, but kept “What Is This Thing Called Love?” in the show, although she shortened it. Barbra continued to sing the long versions of “I'm Still Here,” “I'll Know,” and “Lover Man.” And for two of the shows, “Evergreen” was moved back to the first act.